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In the not-so-old notion of using one's sexuality as a base of power, we actually see that the online g.r.o.'s can actually be the ones who have the upper hand.

This is made more evident in Palermo, who makes a striking debut.

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But her restrained performance only makes the experience truly sensual and fascinating. I also ignored the way Joanna and Spike interacted cybersexually when they had to describe what each one was wearing when they can look into each other thru the Web cam.

I was also put off with the ending, which seemed too abrupt and open-ended for its own sake.

There was no stereotypical "Am-girl" trying to pass herself of as somebody better than her fellows.

I particularly liked the idea of Joanna shopping in Quiapo instead of a mall. The script was refreshingly understated with naturalistic dialogue (except the gay assistant, Badong, who was so perky that he perfectly fit the role of the gay pimp).

In relative terms, this is a new concept in Philippine movies.

Maybe Aguiluz has read the likes of Camille Paglia and Susie Bright while noticing the explosion of female-owned porn sites in the internet.When there is light, the subjects cast a sick pallor, almost washed up and impotent.The cameraman also seemed to be drunk as each frame has no steady bearing.The scene with the Survival Kit was quietly funny too.Throughout the movie, there is also that subtext regarding this ongoing tug-of-war between the sanctimoniously myopic conservatives (represented by a cigar-chomping NBI Special Units Officer Mark Dionisio, played by Rey PJ Abellana) and the exploitative, money-grubbing technocrats (portrayed by a canny Rick -- Gary Estrada) as refereed by the media (Ces Drilon, playing herself).I was pleasantly surprised that a director finally tackled the burgeoning subculture of local pornography on the Net. A Fil-Am girl (Palermo) escapes the consequences of her State-side abortion by going back to her home country.

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